Atithi Tum Kab Jaoge Movie Review

Atithi Tum Kab Jaoge is a bollywood Hindi comedy film released today on mar 5, 2010 directed by Ashwni Dhir, Starring Ajay Devgn, Konkona Sen Sharma, Paresh Rawal. Adithi TumKabJaoge Movie is produced by Warner Bros.

Atithi Tum Kab Jaoge promises to provide the family audience a neat, subtle and funny experience. Atithi Tum Kab Jayenge – Ajay Devgan and also. Atithi Tum Kab Jaoge movie story revolves around Puneet (Ajay) and Munmun (Konkona). Their lives turn upside down when Paresh Rawal enters in to their home. Athiti Tum Kab Jaoge movie is kind of movie, which based on a guest who visits and makes placement for himself for long time even after saying Aap Kab Jaoge. This kind of scenario we witness many times at home, even though any loved one comes and stays for a long time. When the Mehman takes his/ her luggage leaving the inviters and then many still don’t like to ask but still say Atithi Tum kKab Aaoge.

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Nitin Jaiswal

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Tees Maar Khan on the roll

Finally Farah Khan has got into the lingo of ‘Lights, Camera and Action’ for her most-hyped film ‘Tees Maar Khan’. Of late the shooting of the Akshay Kumar starrer kick started in the locales of the Film City.

In fact the filmmaker wanted to start the shoot on the day of Holi with the actor. However as Akki was keen to celebrate the festival, Farah had got on with the shooting of a sequence where junior artists were required to feature. Now that Holi is over, Akshay said to have joined the team.

Currently they are shooting Akshay’s introductory scene, which involves masaledar stunts and comedy. It was for this very scene the production had erected a huge jumbo jet, designed by Sabu Cyril.

The scene involves Akshay being taken captive in the plane and in the course of the sequence he outsmarts everyone and escapes.

‘Tees Maar Khan’ features Akki totally in a new avatar, playing a hot conman. For this, he is being styled by designer Aki Narula and international make-up stylists.

All Eyes On Housefull

The next two months will see small and medium budget releases and there may be a few box office surprises but all eyes will be on Housefull which is expected to get summer season going at the ticket counters.

The promo which premiered with Karthik Calling Karthik on Friday has seen a good response from the trade and public and the film looks like the first big commercial entertainer of 2010. This year has seen Veer succeed in interiors and My Name Is Khan in big cities but Housefull could work in both interiors and big cities.

The last time Akshay Kumar, Sajid Nadiadwala and Sajid Khan came together it resulted in a big hit in the form of Heyy Babyy and it looks like the house full boards may well go up again on 30th April when Housefull opens.

Karthik Calling Karthik Dull

Karthik Calling Karthik showed falls at most places on Monday despite it being a holiday for Holi. The business on Monday was around 1.25 crore nett which takes the film to 11.25 crore nett approx.

The film will find it tough going from here on and the first week is likely to come in around 14 crore nett.

Teen Patti did not fall as heavily as collections were very low anyway but still it managed to get a little benefit of Holi holiday. Teen Patti managed to add around 75 lakhs on Monday for a four day total of 3.75 crore nett.

Karthik Calling Karthik Movie Review

Have you ever received a call from yourself? Is it possible in the first place? There are several theories doing the rounds about the two Karthiks in this movie. So what is it? Is Karthik hallucinating? Does he have a double role? Or a split personality? For most parts of the film, you actually buy the explanation that Karthik does receive calls from, well, Karthik.

Let's accept the fact that a concept like this instinctively generates curiosity in the film. But the real test is to make the story work in those 2 hours. Also - this is vital - the identity of the caller should come as a jolt when the film concludes.

KARTHIK CALLING KARTHIK works in parts, but during the penultimate part, when the story shifts from Mumbai to Kerala, the sand castle, so beautifully built by debutante director Vijay Lalwani, gets washed away.

One doesn't want to challenge the behavioural patterns of a person with a certain disorder, but when it comes to the big screen, when you are narrating a story on celluloid, you need to do a lot of spoon-feeding and make it look convincing. In this case, unfortunately, the finale is just not convincing and therefore, acts as a spoilsport.

Meet Karthik [Farhan Akhtar], an introvert by nature and shy by choice. Karthik suffers with huge confidence issues and is miserable at his average job that yields less than average results. His boss [Ram Kapoor] treats him like dirt. Shonali [Deepika Padukone], his colleague, who he secretly loves, doesn't even know that he exists. Karthik is a loser. He knows it. He accepts it.

Suddenly, one night, the phone rings. And Karthik speaks to someone he never thought he would. He speaks to a man who also claims to be Karthik. The man on the phone says he's here to change Karthik's life. Karthik accepts the phone in his life and soon it becomes his guide, his mentor, his friend, his guardian.

KARTHIK CALLING KARTHIK is a love story as also a suspense fare that teases your mind. Any love story works if the chemistry and also the moments between the on-screen lovers looks real and the chemistry between Farhan and Deepika works well.

Correspondingly, a suspense film works if the viewer keeps guessing what the culmination to the story would be. The mystery only deepens when not only Karthik, but also his girlfriend and psychiatrist are engulfed in this storm. All hell breaks loose when Karthik's life goes upside down and Karthik is back to square one. But from this point onwards, the graph of the film only goes downwards.

Debutante director Vijay Lalwani knows his job well, but he's letdown by his own writing. The second hour not only looks stretched [two songs flow one after the other, with the story coming to a grinding halt], but the pace also gets excruciatingly slow at this juncture. The climax, as mentioned earlier, is a complete downer.

Shankar-Ehsaan-Loy's musical score is an asset. The film has some lilting tunes. Cinematography [Sanu John Varughese] is perfect. Dialogues are simple mostly and at times, very witty.

This is Farhan Akhtar's third film as an actor and it must be said that he takes giant strides when it comes to acting. The story throws several challenges at him and fortunately, he emerges trumps in the most difficult moments. This is, by far, his best work.

Deepika Padukone looks bewitching and acts natural throughout. Ram Kapoor is fantastic. Why don't we see him so frequently on the big screen? Shifaali Shah is excellent. Vivan Bhatena is good. Tarana, Vipin Sharma and Yatin Karyekar are serviceable.

On the whole, KARTHIK CALLING KARTHIK is a decent product with an unconvincing conclusion. Watch it for the wonderful performances of Farhan and Deepika, if you have to. Caters to the youth in metros mainly.